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Pujanza La Paul 2017
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34,90 € *
zzgl. 4,95 € Versand

Die fünfte Generation der Familie San Pedro trägt den Namen Carlos. Der junge Winzer fühlte sich früh zu eigenen Wegen berufen und gründete Bodegas y Viñedos Pujanza mit nur 25 Jahren. In seiner Kellerei in La Rioja bündelt er die Essenz dessen, was die Region einst groß machte. Carlos San Pedros Weine spiegeln die Geschichte der Region. Der Pujanza La Paul lädt zu einer Zeitreise und zeigt Rioja, wie er in frühen Zeiten schmeckte. Der Pujanza La Paul: Tiefdunkle Kirsche im facettenreichen Kleid Die Nase hält reife Kirsche, Brombeere und Himbeere bereit. Holznoten und mineralische Akzente gesellen sich hinzu. Am Gaumen verwöhnt der Pujanza La Paul den Genießer vollmundig und korpulent. Dabei bleibt der Wein dennoch frisch und offenbart eine perfekte Balance. Im Nachhall spielt der Tempranillo noch ein Weilchen mit der Frucht aus dem Bukett, mineralischen Tönen und warmem Holz. Carlos San Pedro präsentiert einen tiefdunklen Tempranillo mit glanzvoller Oberfläche. Zu Tapas und Schmorgerichten ein besonderer Genuss Ein besonderes Abendessen in feierlicher Runde, ein Hochzeitstag zu zweit oder ein romantisches Dinner ganz ohne Anlass: All diese Momenten liebt der Pujanza La Paul. Er eignet sich hervorragend zu würzigen und deftigen Speisen. Oliven mit Knoblauch, Manchego und Serrano genügen ihm als Begleiter vollkommen. Dies jedoch bedeutet nicht, dass dieser Tempranillo nicht auch mit warmen Gerichten harmoniert. Geschmortes Rindfleisch in dunkler Rotweinsauce und würziges Risotto mit rauchigem Speck kommen mit dem La Paul bestens aus.

Anbieter: Silkes Weinkeller
Stand: 29.11.2020
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Foenkinos Lennon - Roman, Penguin Taschenbuch 1...
10,00 € *
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Erscheinungsdatum: 13.05.2019, Einband: Kartoniert, Titelzusatz: Roman, Penguin Taschenbuch 10457, Originaltitel: Lennon, Autor: Foenkinos, David, Übersetzer: Christian Kolb, Verlag: Penguin Verlag, Co-Verlag: Verlagsgruppe Random House, Sprache: Deutsch, Schlagworte: Beatles // Bestseller Frankreich // Charlotte // Musikgeschichte // Nathalie küsst // Paul McCartney // Popgeschichte // 1960er Jahre // 1970er Jahre // 68er-Generation, Produktform: Kartoniert, Umfang: 240 S., Seiten: 240, Format: 1.9 x 19 x 12 cm, Gewicht: 223 gr, Verkäufer: averdo

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Stand: 29.11.2020
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In manchen Nächten hab ich einen anderen - Mein...
9,99 € *
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Erscheinungsdatum: 03.09.2018, Einband: Kartoniert, Titelzusatz: Mein sinnliches Leben in einer offenen Beziehung, Autor: Zimt, Anna, Verlag: Droemer Knaur, Sprache: Deutsch, Schlagworte: Abenteuer // Achtung // Anna Zimt // Bett // Beziehung // Beziehungsratgeber // Beziehungsratgeber für Paare // Beziehungsstress // Ehe // Eifersucht // Erotik // Friedemann Karig // Generation Beziehungsunfähig // Henriette Hell // ich komme // im gegenteil // Jean-Paul Sartre // Langeweile im Bett // langweilig // langweiliges Sexleben // Leidenschaft // Memoir // Micheal Nast // offene Beziehung // Paula // Podcast // Polyamorie // Prickeln // Schnapsidee // Sex // Sexleben aufpeppen // Sexratgeber // Sexualität // Simone de Beauvoir // Wie wir lieben, Produktform: Kartoniert, Umfang: 208 S., Seiten: 208, Format: 1.5 x 19 x 12.5 cm, Gewicht: 188 gr, Verkäufer: averdo

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Campe What's App, Mama? - Warum wir Teenies den...
14,95 € *
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Erscheinungsdatum: 02.03.2017, Einband: Paperback, Titelzusatz: Warum wir Teenies den ganzen Tag online sind - und warum das okay ist!, Autor: Campe, Robert, Verlag: Eden Books, Co-Verlag: in der Edel Germany GmbH, Sprache: Deutsch, Schlagworte: Chat // digital // digital immigrants // digital natives // Digitale Demenz // digitale Medien // digitale Nomaden // Eltern // Facebook // Generation Online // Instagram // Internet // Internetsucht // Internetsüchtig // Jugendliche // Mutter // online // Paul Bühre // Ratgeber // Smartphone // Snapchat // Social media // Streaming // Teenager // Teenie // Teenie leaks // Twitter // Vater // WhatsApp // Youtube, Produktform: Kartoniert, Umfang: 224 S., Seiten: 224, Format: 1.8 x 21 x 13.5 cm, Gewicht: 249 gr, Verkäufer: averdo

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Wozu nach den Sternen greifen, wenn man auch ch...
16,99 € *
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Erscheinungsdatum: 02.04.2019, Einband: Paperback, Titelzusatz: Die große Orientierungslosigkeit nach der Schule, Autor: Bartholomäus, Ulrike, Verlag: Berlin Verlag GmbH - Berlin, Sprache: Deutsch, Schlagworte: Abgrenzung // Abi // Abi und dann // Abi 2019 // Abiball // Abifeier // Abitur 2019 // Abnabelung // Ambitionslosigkeit // Ausbildung // Ausbildungsplatz 2019 // Auslandsaufenthalt // Berufseinstieg // Berufsorientierung // Berufswahl // Berufswahltest // Berufsziel // Bestseller // Bestseller 2019 // Bundesfreiwilligendienst // Chill mal // das jahr nach dem abi // Entscheidungsunfähigkeit // Gap Year // Gap Year 2019 // Generation Z // Generationskonflikt // Geschenk für Abiturienten // Geschenk für Lehrer // Geschenk für Mütter // Helikopter-Eltern // Hotel Mama // Jobben nach dem Abi // Jobbörse für Abiturienten // Jugendliche // Kontrolle // Lebensplanung // Lehrer // Loslösung // Nesthocker // Orientierungshilfe // Orientierungslosigkeit // Orientierungsphase // Paul Bühre // Schüler // Sinnsuche // Studenten // Studienabbruch // Studienführer // Studienplatzwechsel, Produktform: Kartoniert, Umfang: 304 S., Seiten: 304, Format: 2.5 x 20.5 x 13.5 cm, Gewicht: 370 gr, Verkäufer: averdo

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Stand: 29.11.2020
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10cc in Concert
42,50 € *
zzgl. 5,95 € Versand

10ccBiography (full version)Among the most inventive and influential bands in the history of popular music, 10cc are one of the very few acts to have achieved commercial, critical and creative success in equal measure. Testament to 10cc?s ongoing appeal, the band can count a generation straddling array of fellow artists, everyone from Chrissie Hynde to The Feeling?s Dan Gillespie and Axl Rose to Sophie Ellis Bextor, among their many millions of fans. I´m Not In Love, co-written by Graham Gouldman and Eric Stewart, features prominently in the soundtrack to the 2014 blockbuster film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album. Meanwhile, a key element of the soundtrack to 2010?s Facebook feature film The Social Network is Dreadlock Holiday, which is also the Sky Sports cricket reports theme in Australia.10cc has sold more than 30 million albums around the world and the band?s longevity is testament to their timeless songs, and reflecting Gouldman?s status as one of the world?s leading songwriters, he was inducted into America?s Songwriter?s Hall of Fame at a ceremony in New York in June. Previous inductees include Noel Coward, Burt Bacharach, Neil Sedaka, John Lennon, Paul McCartney, Bob Dylan, Bruce Springsteen, Leonard Cohen, Elton John and Sting.The band continues to traverse the globe and play countries as disparate as Iceland and South Africa, Latvia and Japan, as well as across Europe, Australia and New Zealand, Canada and the US. Following a 26-date UK tour in October-November, early 2019 will see the band play three concerts in Japan, before touring Denmark, Sweden and Norway, followed by a 15-date major city UK tour and the band?s first concert in Moscow. 10cc returns to the UK?s prestigeous, 5,200-capacity Royal Albert Hall in London on 2 May 2019.Gouldman attributes 10cc?s lasting appeal to the quality and individuality of the band?s songs. ?They don?t seem to date; they are original, we never followed any trend we simple wrote for our own pleasure. The fact that the songs are being played as often on the radio today as they ever were shows how true that is,? he says. /210cc Biography (full version) - page 210cc ruled the pop world at a time ? the 1970s ? when the charts were dominated by some of the most creative and colourful artistes in pop history. Unlike David Bowie, Queen, Elton John or Rod Stewart ? all of whom they stood shoulder-to-shoulder with for a decade ? 10cc?s energies were not centred on image or celebrity-status, but on creating highly sophisticated rock masterworks with mainstream appeal. Early influences on the band included The Beatles and the Beach Boys, but their palate proved wide. Says Gouldman: ?For me it was people like Burt Bacharach and Hal David, Jimmy Webb, Eddie Cochran, Buddy Holly and the Everly Brothers. Eric [Stewart] was more rock ?n? roll, the blues and R&B; while Kevin [Godley] and Lol [Creme] were into more artistic and avant-garde acts including Jacques Brel. It?s what happened when we put all those things together that made 10cc.? The result was some of the greatest pop records of the 20th Century. From breakthrough hit Donna in 1972 to their final No 1, Dreadlock Holiday in 1978, via landmark releases including 1975 worldwide hit I?m Not In Love, 10cc stood for the kind of heightened pop sensibility achieved only by the very greatest music practitioners. As Rolling Stone magazine put it in 1975, ?There is more going on in one 10cc song than on the last ten Yes albums.?With hit song-writing credits with bands including the Yardbirds, Hollies and Herman?s Hermits under his belt, the early 1970s saw Gouldman and his compatriots reach new levels of creative endeavour. He spent time in New York writing for bubblegum kings Jerry Kazenetz and Jeff Katz., but fed up with being away from home, he returned to the UK to record the songs he had written Stateside with his friends at Strawberry Studios in Stockport. Back in Manchester, Stewart, Godley and Creme had also been busy, with Stewart testing a new four-track recorder that lead to the recording of Neanderthal Man, a track that went on to enjoy 14 weeks in the UK charts in 1970, peaking at No 2. The band was called Hotlegs and comprised Godley, Creme, Stewart, and briefly Gouldman.In1972 Gouldman?s manager Harvey Lisberg (later to become 10cc?s manager) met Neil Sedaka, who was playing a residency at Batley Variety Club in Yorkshire. Sedaka?s career was in decline and Lisberg suggested he worked with the guys at Strawberry. The result was Sedaka?s hit comeback album Solitaire, produced by Gouldman, Stewart, Godley and Creme, with Stewart acting as engineer.?We all learned so much from those sessions. Neil?s sheer professionalism, musicianship and song-writing were inspiring,? says Gouldman./310cc Biography (full version) - page 3 ?We?d done a few tracks and we needed a B-side for Waterfall [a Gouldman/Stewart composition]. There was a possibility that it would come out on the Apple label, which we were very excited about, because any connection with the Beatles was great,? says Gouldman. A Godley and Creme song, Donna, was chosen. ?We didn?t have a name for the band and weren?t bent on world domination or anything, but Donna made us sit up and notice ourselves, that we actually had something special.?And so 10cc was born, Donna became the A side and reached No 2 in the UK charts. Right from the start it was obvious they weren?t like other groups. All four could sing, were adept in the recording studio, and were seasoned musicians more interested in pleasing themselves than writing to a formula. Not long after Donna was released, Sedaka returned to Strawberry to record a second album, The Tra-La Days Are Over, with the same team, and his career took off again.10cc comprised essentially two song-writing camps, Gouldman and Stewart, plus Godley and Creme, although they would sometimes intermingle. ?Our principle was always the music,? says Gouldman, ?whatever?s best for the song. That means if I can sing better than you on it, that?s what happens. Or if Lol can play lead guitar better than you, he?ll do it. Consequently we had four singers in the band, four instrumentalists and four producers, plus Eric also engineered the sessions.?The other thing was whoever wrote the song, it kind of became the property of the four of us. You couldn?t say, ?That song is crap, I don?t want anything to do with it?. What you had to say was, ?I don?t like that part of the song, but I think we could make it better by doing this?. You always had to come up with something positive.??It was the combination of all four of us that made the difference, not only in the song-writing, but in the production values as well,? says Gouldman.Whether it?s the eight-minute pop opera Une Nuit a Paris, or the No.1 hit pop masterpiece I?m Not In Love, both from The Original Soundtrack (1975) album, no two 10cc records sound the same,?A very important element,? explains Gouldman, ?was we were completely self-contained. There wasn?t even a producer. If Eric was singing one of us would work the board. We used to just give the tracks straight to the record company.?Indeed, they didn?t even have a recognisable frontman. ?Eric was a very good-looking guy who took on the role quite often, and Lol was also brilliant out front. But you?d never know on the record who was playing guitar or even who was singing sometimes.?/410cc Biography (full version) - page 4The first time 10cc played live, at the Isle of Man Casino in 1973, they were taken aback at the response. ?We went onstage and girls started screaming! It was like, what the f**k is going on? We imagined ourselves as professors of pop who were going to give a lecture on pop music, but it wasn?t like that at all.?The critical plaudits also rolled in. Rolling Stone calling The Original Soundtrack, ?better than anything the Beach Boys have done of late?. The NME described I?m Not In Love as ?a John Lennon song with a Paul McCartney vocal?. In an age where critics spent an inordinate amount of time trying to identify the new Beatles, 10cc increasingly seemed to fit the bill.?Because we existed in our own world, we didn?t need anyone to tell us how good we were. We listened to the records and went, this is everything we want it to be and more.? Even after the astonishing success of I?m Not In Love, they refused to play the game and followed it up with the acidic Art For Art?s Sake ? and scored another Top 5 hit.?Art for art?s sake, money for God?s sake, was something my late father used to say to me, although he wasn?t cynical like that at all ? he was very artistic. But it?s such a lovely phrase. Eric had this riff and I just started singing that, and the song came.?The biggest surprise of all was the departure of Godley and Creme after their next album, How Dare You? ?It was horrible,? Gouldman confesses. ?It was an absolute disaster. Like getting a divorce.?Godley and Creme had become preoccupied with the Gizmotron ? from the word ?gizmo? ? a device they had invented which when applied could bring new sounds and textures out of an electric guitar. Obsessed with devising a showcase for it, they began recording a triple album together, Consequences.Says a reflective Gouldman now, ?Kev and I, who stayed quite close, have talked about this since and have decided what should have happened; he and Lol should have gone go off and done their thing for a year or so, then allowed 10cc to resume. ?But that?s just not how things were done in the ?70s. No one had a year off. Plus I think the record company were probably expecting another album, tours were booked and so on.?Instead, Gouldman and Stewart continued as 10cc and scored more notable successes with their next two albums, Deceptive Bends (1977) ? featuring their next worldwide hit single Things We Do For Love ? and Bloody Tourists (1978), which spawned another international hit, Dreadlock Holiday.?We were on a mission to prove ourselves,? says Gouldman, ?This wasn?t like a couple of guys leaving the band who just played their instruments. This was two of the producers going, two of the singers going, two of the songwriters going. So it was a real 50 percent gone.?Ultimately, the split took its toll and when Stewart was badly injured in a car crash in 1979, the writing was on the wall. /510cc Biography (full version) - page 5?It flattened me completely,? Stewart later recalled. ?I damaged my left ear and eye very badly. I couldn´t go near music. I couldn´t go near anything loud and I love music and motor-racing. I had to stay away from both things for a long time [and] the momentum of this big machine that we´d had rolling slowed and slowed and slowed. And on the music scene, the punk thing had come in a big way.?All four original members enjoyed very successful post-10cc careers. Godley and Creme continued as a partnership, recording their own hit records and becoming Grammy-winning video directors for acts including Ultravox, The Police, Duran Duran and Frankie Goes To Hollywood. Stewart collaborated on three Paul McCartney albums in the 1980s and continues to record sporadically as a solo artiste, his most recent collection being Viva La Difference in 2009.Meanwhile Gouldman spent the 1980s concentrating on recording soundtracks for films such as Farah Fawcett?s Sunburn and the American animation Animalympics. He also worked as a producer with The Ramones and Gilbert O?Sullivan. He then formed Wax with American songwriter Andrew ?Lonely Boy? Gold and had hits with Right Between The Eyes and Bridge To You Heart.There were two final Gouldman-Stewart directed 10cc albums in the ?90s, the first ... Meanwhile (1992), featured contributions from both Godley and Creme, while the last, Mirror Mirror (1995), despite featuring contributions from McCartney and Gold, was more a collection of Gouldman and Stewart solo songs. That same year, 10cc received a BMI citation for three million plays on US radio for I?m Not In Love (since risen to five million). This followed the BMI citation for two million plays (since risen to 3.5m) of Things We Do For Love,In 2002, the 30th anniversary of the band?s debut hit Donna, 10cc began to creep back into the national consciousness. With Gouldman fronting a new touring band, a 28-date UK tour was followed by a series of one-off events across Europe. The band have continued to regularly tour the world ever since. In 2006, Universal records released the TV-advertised, double CD 10cc: Greatest Hits ? And More, and the following year national newspaper the Mail On Sunday produced a special 10-track, cover-mount Best of 10cc Live CD, distributing more than 2.4 million copies throughout the UK and Ireland. The paper reported that sales rose by 232,000 on the day of publication.For the band?s 40th anniversary year in 2012, Universal Records released a new five-CD box set entitled Tenology, featuring 80 tracks chosen by the four original band members.A world tour took 10cc as far and wide as Iceland and Australia, and saw them play London?s Royal Albert Hall for the first time. The landmark concert saw Kevin Godley guest on several numbers including a capella version of Donna./610cc Biography (full version) - page 6After 50 concerts with 10cc that year, Gouldman decided to tour as an acoustic outfit, Heart Full of Songs, which included10cc?s Rick Fenn, Mick Wilson and Mike Stevens. Their set included hits Gouldman wrote for The Hollies, Herman?s Hermits, the Yardbirds and film soundtracks, along with material from his new solo album Love And Work.In 2013, 10cc joined Status Quo for a tour of UK arenas, including London?s 20,000-capacity The O2. In the years since, the band have toured in Australia, Ireland Japan, New Zealand across the UK and Europe and at London?s 60,000-capacity British Summer Time festival in Hyde Park.?Year on year we get busier and busier. It?s great, we love touring and playing together and we get on really well. The audiences these days are very gratifying. You get the people you would expect, who grew up with 10cc, but you also get young kids who know the songs too,? says Gouldman. With four decades of song-writing excellence and a crack band of musicians behind him Gouldman confidently promises, ?This is as near as you?re ever going to get to hearing the perfect 10cc. Hit after hit after hit. It?s relentless. We show no mercy.?The live band?s line-up is:Graham Gouldman-bass, guitars, vocalsRick Fenn - lead guitar, vocals, bass guitarPaul Burgess - drums, percussionIain Hornal - vocals, percussion, guitar, keyboardsKeith Hayman - keyboards, guitar, bass, vocalsPaul has worked with 10cc from the beginning and Rick joined the live band in the mid-?70s. 10cc ? Top UK Chart Positions I?m Not In Love 1Dreadlock Holiday 1Rubber Bullets 1Donna 2Art For Art?s Sake 5Good Morning Judge 5The Things We Do For Love 6I?m Mandy Fly Me 6Life Is A Minestrone 7The Dean And I 10The Wall Street Shuffle 10/710cc Biography (full version) - page 7Some additional information?10cc has sold more than 15 million albums in the UK.?10cc has sold more than 30 million albums worldwide?I?m Not In Love has been played over five million times on US radio.?YouTube videos of I?m Not In Love, both old and with the current band, have been viewed more that 30 million times overall. ?A YouTube video clip about the making of I?m Not In Love circulated the globe in late-2010, resulting in increased name-checks by bloggers and DJs.?Things We Do For Love has been played over 3.5 million times on US radio.?I?m Not In Love was part of the soundtrack of the 2004 film Bridget Jones: The Edge of Reason.?Dreadlock Holiday is featured on the soundtrack of the 2010 film The Social Network, about the founding of Facebook ?I?m Not In Love is lead track on the 2015 blockbuster Disney film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album there.?Axl Rose of Guns N?Roses says of I?m Not In Love, ?that song messes with my life, man. It?s one of my favourite songs of all time.??In 1993, Will To Power hit the Top 10 in the UK with its version of I?m Not In Love. It has also been recorded by, among others, The Pretenders (for the film Indecent Proposal), Peggy Lee, Richie Havens, Fun Lovin? Criminals, and more recently Diana Krall and The Flaming Lips.

Anbieter: Konzertkasse
Stand: 29.11.2020
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10cc in Concert
49,95 € *
zzgl. 5,95 € Versand

10ccBiography (full version)Among the most inventive and influential bands in the history of popular music, 10cc are one of the very few acts to have achieved commercial, critical and creative success in equal measure. Testament to 10cc?s ongoing appeal, the band can count a generation straddling array of fellow artists, everyone from Chrissie Hynde to The Feeling?s Dan Gillespie and Axl Rose to Sophie Ellis Bextor, among their many millions of fans. I´m Not In Love, co-written by Graham Gouldman and Eric Stewart, features prominently in the soundtrack to the 2014 blockbuster film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album. Meanwhile, a key element of the soundtrack to 2010?s Facebook feature film The Social Network is Dreadlock Holiday, which is also the Sky Sports cricket reports theme in Australia.10cc has sold more than 30 million albums around the world and the band?s longevity is testament to their timeless songs, and reflecting Gouldman?s status as one of the world?s leading songwriters, he was inducted into America?s Songwriter?s Hall of Fame at a ceremony in New York in June. Previous inductees include Noel Coward, Burt Bacharach, Neil Sedaka, John Lennon, Paul McCartney, Bob Dylan, Bruce Springsteen, Leonard Cohen, Elton John and Sting.The band continues to traverse the globe and play countries as disparate as Iceland and South Africa, Latvia and Japan, as well as across Europe, Australia and New Zealand, Canada and the US. Following a 26-date UK tour in October-November, early 2019 will see the band play three concerts in Japan, before touring Denmark, Sweden and Norway, followed by a 15-date major city UK tour and the band?s first concert in Moscow. 10cc returns to the UK?s prestigeous, 5,200-capacity Royal Albert Hall in London on 2 May 2019.Gouldman attributes 10cc?s lasting appeal to the quality and individuality of the band?s songs. ?They don?t seem to date; they are original, we never followed any trend we simple wrote for our own pleasure. The fact that the songs are being played as often on the radio today as they ever were shows how true that is,? he says. /210cc Biography (full version) - page 210cc ruled the pop world at a time ? the 1970s ? when the charts were dominated by some of the most creative and colourful artistes in pop history. Unlike David Bowie, Queen, Elton John or Rod Stewart ? all of whom they stood shoulder-to-shoulder with for a decade ? 10cc?s energies were not centred on image or celebrity-status, but on creating highly sophisticated rock masterworks with mainstream appeal. Early influences on the band included The Beatles and the Beach Boys, but their palate proved wide. Says Gouldman: ?For me it was people like Burt Bacharach and Hal David, Jimmy Webb, Eddie Cochran, Buddy Holly and the Everly Brothers. Eric [Stewart] was more rock ?n? roll, the blues and R&B; while Kevin [Godley] and Lol [Creme] were into more artistic and avant-garde acts including Jacques Brel. It?s what happened when we put all those things together that made 10cc.? The result was some of the greatest pop records of the 20th Century. From breakthrough hit Donna in 1972 to their final No 1, Dreadlock Holiday in 1978, via landmark releases including 1975 worldwide hit I?m Not In Love, 10cc stood for the kind of heightened pop sensibility achieved only by the very greatest music practitioners. As Rolling Stone magazine put it in 1975, ?There is more going on in one 10cc song than on the last ten Yes albums.?With hit song-writing credits with bands including the Yardbirds, Hollies and Herman?s Hermits under his belt, the early 1970s saw Gouldman and his compatriots reach new levels of creative endeavour. He spent time in New York writing for bubblegum kings Jerry Kazenetz and Jeff Katz., but fed up with being away from home, he returned to the UK to record the songs he had written Stateside with his friends at Strawberry Studios in Stockport. Back in Manchester, Stewart, Godley and Creme had also been busy, with Stewart testing a new four-track recorder that lead to the recording of Neanderthal Man, a track that went on to enjoy 14 weeks in the UK charts in 1970, peaking at No 2. The band was called Hotlegs and comprised Godley, Creme, Stewart, and briefly Gouldman.In1972 Gouldman?s manager Harvey Lisberg (later to become 10cc?s manager) met Neil Sedaka, who was playing a residency at Batley Variety Club in Yorkshire. Sedaka?s career was in decline and Lisberg suggested he worked with the guys at Strawberry. The result was Sedaka?s hit comeback album Solitaire, produced by Gouldman, Stewart, Godley and Creme, with Stewart acting as engineer.?We all learned so much from those sessions. Neil?s sheer professionalism, musicianship and song-writing were inspiring,? says Gouldman./310cc Biography (full version) - page 3 ?We?d done a few tracks and we needed a B-side for Waterfall [a Gouldman/Stewart composition]. There was a possibility that it would come out on the Apple label, which we were very excited about, because any connection with the Beatles was great,? says Gouldman. A Godley and Creme song, Donna, was chosen. ?We didn?t have a name for the band and weren?t bent on world domination or anything, but Donna made us sit up and notice ourselves, that we actually had something special.?And so 10cc was born, Donna became the A side and reached No 2 in the UK charts. Right from the start it was obvious they weren?t like other groups. All four could sing, were adept in the recording studio, and were seasoned musicians more interested in pleasing themselves than writing to a formula. Not long after Donna was released, Sedaka returned to Strawberry to record a second album, The Tra-La Days Are Over, with the same team, and his career took off again.10cc comprised essentially two song-writing camps, Gouldman and Stewart, plus Godley and Creme, although they would sometimes intermingle. ?Our principle was always the music,? says Gouldman, ?whatever?s best for the song. That means if I can sing better than you on it, that?s what happens. Or if Lol can play lead guitar better than you, he?ll do it. Consequently we had four singers in the band, four instrumentalists and four producers, plus Eric also engineered the sessions.?The other thing was whoever wrote the song, it kind of became the property of the four of us. You couldn?t say, ?That song is crap, I don?t want anything to do with it?. What you had to say was, ?I don?t like that part of the song, but I think we could make it better by doing this?. You always had to come up with something positive.??It was the combination of all four of us that made the difference, not only in the song-writing, but in the production values as well,? says Gouldman.Whether it?s the eight-minute pop opera Une Nuit a Paris, or the No.1 hit pop masterpiece I?m Not In Love, both from The Original Soundtrack (1975) album, no two 10cc records sound the same,?A very important element,? explains Gouldman, ?was we were completely self-contained. There wasn?t even a producer. If Eric was singing one of us would work the board. We used to just give the tracks straight to the record company.?Indeed, they didn?t even have a recognisable frontman. ?Eric was a very good-looking guy who took on the role quite often, and Lol was also brilliant out front. But you?d never know on the record who was playing guitar or even who was singing sometimes.?/410cc Biography (full version) - page 4The first time 10cc played live, at the Isle of Man Casino in 1973, they were taken aback at the response. ?We went onstage and girls started screaming! It was like, what the f**k is going on? We imagined ourselves as professors of pop who were going to give a lecture on pop music, but it wasn?t like that at all.?The critical plaudits also rolled in. Rolling Stone calling The Original Soundtrack, ?better than anything the Beach Boys have done of late?. The NME described I?m Not In Love as ?a John Lennon song with a Paul McCartney vocal?. In an age where critics spent an inordinate amount of time trying to identify the new Beatles, 10cc increasingly seemed to fit the bill.?Because we existed in our own world, we didn?t need anyone to tell us how good we were. We listened to the records and went, this is everything we want it to be and more.? Even after the astonishing success of I?m Not In Love, they refused to play the game and followed it up with the acidic Art For Art?s Sake ? and scored another Top 5 hit.?Art for art?s sake, money for God?s sake, was something my late father used to say to me, although he wasn?t cynical like that at all ? he was very artistic. But it?s such a lovely phrase. Eric had this riff and I just started singing that, and the song came.?The biggest surprise of all was the departure of Godley and Creme after their next album, How Dare You? ?It was horrible,? Gouldman confesses. ?It was an absolute disaster. Like getting a divorce.?Godley and Creme had become preoccupied with the Gizmotron ? from the word ?gizmo? ? a device they had invented which when applied could bring new sounds and textures out of an electric guitar. Obsessed with devising a showcase for it, they began recording a triple album together, Consequences.Says a reflective Gouldman now, ?Kev and I, who stayed quite close, have talked about this since and have decided what should have happened; he and Lol should have gone go off and done their thing for a year or so, then allowed 10cc to resume. ?But that?s just not how things were done in the ?70s. No one had a year off. Plus I think the record company were probably expecting another album, tours were booked and so on.?Instead, Gouldman and Stewart continued as 10cc and scored more notable successes with their next two albums, Deceptive Bends (1977) ? featuring their next worldwide hit single Things We Do For Love ? and Bloody Tourists (1978), which spawned another international hit, Dreadlock Holiday.?We were on a mission to prove ourselves,? says Gouldman, ?This wasn?t like a couple of guys leaving the band who just played their instruments. This was two of the producers going, two of the singers going, two of the songwriters going. So it was a real 50 percent gone.?Ultimately, the split took its toll and when Stewart was badly injured in a car crash in 1979, the writing was on the wall. /510cc Biography (full version) - page 5?It flattened me completely,? Stewart later recalled. ?I damaged my left ear and eye very badly. I couldn´t go near music. I couldn´t go near anything loud and I love music and motor-racing. I had to stay away from both things for a long time [and] the momentum of this big machine that we´d had rolling slowed and slowed and slowed. And on the music scene, the punk thing had come in a big way.?All four original members enjoyed very successful post-10cc careers. Godley and Creme continued as a partnership, recording their own hit records and becoming Grammy-winning video directors for acts including Ultravox, The Police, Duran Duran and Frankie Goes To Hollywood. Stewart collaborated on three Paul McCartney albums in the 1980s and continues to record sporadically as a solo artiste, his most recent collection being Viva La Difference in 2009.Meanwhile Gouldman spent the 1980s concentrating on recording soundtracks for films such as Farah Fawcett?s Sunburn and the American animation Animalympics. He also worked as a producer with The Ramones and Gilbert O?Sullivan. He then formed Wax with American songwriter Andrew ?Lonely Boy? Gold and had hits with Right Between The Eyes and Bridge To You Heart.There were two final Gouldman-Stewart directed 10cc albums in the ?90s, the first ... Meanwhile (1992), featured contributions from both Godley and Creme, while the last, Mirror Mirror (1995), despite featuring contributions from McCartney and Gold, was more a collection of Gouldman and Stewart solo songs. That same year, 10cc received a BMI citation for three million plays on US radio for I?m Not In Love (since risen to five million). This followed the BMI citation for two million plays (since risen to 3.5m) of Things We Do For Love,In 2002, the 30th anniversary of the band?s debut hit Donna, 10cc began to creep back into the national consciousness. With Gouldman fronting a new touring band, a 28-date UK tour was followed by a series of one-off events across Europe. The band have continued to regularly tour the world ever since. In 2006, Universal records released the TV-advertised, double CD 10cc: Greatest Hits ? And More, and the following year national newspaper the Mail On Sunday produced a special 10-track, cover-mount Best of 10cc Live CD, distributing more than 2.4 million copies throughout the UK and Ireland. The paper reported that sales rose by 232,000 on the day of publication.For the band?s 40th anniversary year in 2012, Universal Records released a new five-CD box set entitled Tenology, featuring 80 tracks chosen by the four original band members.A world tour took 10cc as far and wide as Iceland and Australia, and saw them play London?s Royal Albert Hall for the first time. The landmark concert saw Kevin Godley guest on several numbers including a capella version of Donna./610cc Biography (full version) - page 6After 50 concerts with 10cc that year, Gouldman decided to tour as an acoustic outfit, Heart Full of Songs, which included10cc?s Rick Fenn, Mick Wilson and Mike Stevens. Their set included hits Gouldman wrote for The Hollies, Herman?s Hermits, the Yardbirds and film soundtracks, along with material from his new solo album Love And Work.In 2013, 10cc joined Status Quo for a tour of UK arenas, including London?s 20,000-capacity The O2. In the years since, the band have toured in Australia, Ireland Japan, New Zealand across the UK and Europe and at London?s 60,000-capacity British Summer Time festival in Hyde Park.?Year on year we get busier and busier. It?s great, we love touring and playing together and we get on really well. The audiences these days are very gratifying. You get the people you would expect, who grew up with 10cc, but you also get young kids who know the songs too,? says Gouldman. With four decades of song-writing excellence and a crack band of musicians behind him Gouldman confidently promises, ?This is as near as you?re ever going to get to hearing the perfect 10cc. Hit after hit after hit. It?s relentless. We show no mercy.?The live band?s line-up is:Graham Gouldman-bass, guitars, vocalsRick Fenn - lead guitar, vocals, bass guitarPaul Burgess - drums, percussionIain Hornal - vocals, percussion, guitar, keyboardsKeith Hayman - keyboards, guitar, bass, vocalsPaul has worked with 10cc from the beginning and Rick joined the live band in the mid-?70s. 10cc ? Top UK Chart Positions I?m Not In Love 1Dreadlock Holiday 1Rubber Bullets 1Donna 2Art For Art?s Sake 5Good Morning Judge 5The Things We Do For Love 6I?m Mandy Fly Me 6Life Is A Minestrone 7The Dean And I 10The Wall Street Shuffle 10/710cc Biography (full version) - page 7Some additional information?10cc has sold more than 15 million albums in the UK.?10cc has sold more than 30 million albums worldwide?I?m Not In Love has been played over five million times on US radio.?YouTube videos of I?m Not In Love, both old and with the current band, have been viewed more that 30 million times overall. ?A YouTube video clip about the making of I?m Not In Love circulated the globe in late-2010, resulting in increased name-checks by bloggers and DJs.?Things We Do For Love has been played over 3.5 million times on US radio.?I?m Not In Love was part of the soundtrack of the 2004 film Bridget Jones: The Edge of Reason.?Dreadlock Holiday is featured on the soundtrack of the 2010 film The Social Network, about the founding of Facebook ?I?m Not In Love is lead track on the 2015 blockbuster Disney film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album there.?Axl Rose of Guns N?Roses says of I?m Not In Love, ?that song messes with my life, man. It?s one of my favourite songs of all time.??In 1993, Will To Power hit the Top 10 in the UK with its version of I?m Not In Love. It has also been recorded by, among others, The Pretenders (for the film Indecent Proposal), Peggy Lee, Richie Havens, Fun Lovin? Criminals, and more recently Diana Krall and The Flaming Lips.

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IRISH SPRING 2021
11,40 € *
zzgl. 5,95 € Versand

IRISH SPRING 2021Zum 20. Mal: Das große Frühlingsfestival irischer Musikkultur.Mit:NIALL HANNA & STEPHAN LOGHRAN - Fresh Irish Songs and MusicDAVID MUNNELLY BAND feat. ANNE BRENNAN - Powerhouse FolkCONNLA - Modern Folk from Northern IrelandANETA DORTOVÁ - Step TanzFestival Finale SessionDas wohl wichtigste Frühlings-Folk-Festival des Landes wird mit einem Highlight-Programm zum zwanzigjährigen Bestehen als bewährtes Hausmittel den Winter-Blues vertreiben! Mittlerweile ?jour fixe? für unzählige Irish Folk-Fans, hat sich das Festival mit seinem Anspruch, hohes Niveau mit bester Unterhaltung zu verbinden, konsequent in die Ohren und Herzen der Zuschauerinnen und Zuschauer gespielt. Geboten wird ein Strauß bunter musikalischer Frühlingsboten zwischen Tradition und Moderne, zwischen Melancholie und überbordender tanzender Lebenslust.Zwei der drei Gruppen kommen aus dem vom Brexit geplagten Nordirland: Der traditionelle Sänger NIALL HANNA, begleitet von STEPHAN LOGHRAN, präsentiert gefühlvolle eigene Stücke.CONNLA, mittlerweile weltweit unterwegs, fasziniert mit modernem Folk-Sound auf akustischen Instrumenten wie irischem Dudelsack, keltischer Harfe, Trommel, Flöten und intensivem Gesang.Dritter im Bunde ist Akkordeon-Kraftwerk DAVID MUNNELLY mit seinem Trio aus dem westirischen County Mayo mit tanzbaren Jigs, Reels und Hornpipes, sowie der magischen Stimme von ANNE BRENNAN.Und immer wieder bieten perkussive Steptanz-Einlagen der Tänzerin ANETA DORTOVÁ visuelle Highlights und zum Schluss hält es beim großen Finale mit allen Künstlern kaum jemanden mehr auf den Sitzen.NIALL HANNA & STEPHAN LOGHRAN - Fresh Irish Songs and MusicIn einer irischen Folk Session wird es ganz still, wenn nach wilden Jigs und Reels ein Sänger eine Ballade anstimmt und nur noch die Emotion der Stimme dominiert. Sänger und Gitarrist Niall Hanna aus dem nordirischen County Tyrone kommt aus einer Sängerfamilie und ist irischer Meister im traditionellen Gesang. Wenn er die Stimme erhebt hört man die berühmte Stecknadel fallen. Wie oft typisch in Irland lernte er die Musik von Kindesbeinen an durch Zuhören und Mitmachen, Comhaltas- und Armagh Piper´s Club-Ausbildungen folgten. Warm, gefühlvoll, berührend und mit den typischen Melodieverzierungen seiner Heimat Ulster, interpretiert er Traditionals und eigene Kompositionen. Kein Wunder also, dass ihn das irische Radio kürzlich als aufsteigenden Künstler des Jahres nominierte. Neben a-capella Stücken im Sean Nos Stil begleitet er sich auf der Gitarre. Für Irish Spring gesellt sich der nordirische Multi-Instrumentalist und Sänger Stephen Loughran zu ihm, ein bekannter und beliebter Künstler der Belfaster Musikszene.DAVID MUNNELLY BAND feat. ANNE BRENNAN - Powerhouse FolkFür das Irish Spring Jubiläumsprogramm ist dieses All Star Team in jedem Fall angemessen. Munnelly, das Akkordeon-Kraftwerk aus Mayo, ist einer der bedeutendsten Akkordeonspieler seiner Generation und spielte mit Legenden wie De Dannan und den Chieftains. Wenn er loslegt, geraten Melodie, Drive und Rhythmus irischer Jigs, Reels oder Hornpipes ungefiltert und direkt ins Ohr und ins Herz der Zuschauer. Seine eigenen Stücke schauen weit über den traditionellen Tellerrand hinaus und zeigen ein musikalisches Genie.Munnelly wird von Gitarrist und ?Master of Rhythm? Shane McGowan begleitet. Ihm ist nichts fremd zwischen Folk, Rock und Jazz, seit er mit fünf Jahren zum ersten Mal vor Publikum auftrat. Shane kommt aus dem rauen Sligo, wo die wilde Seite des Irish Folk noch an jeder Ecke präsent ist und dennoch die Ohren offen für neue musikalische Abenteuer sind.Als dritter Solist brilliert das Supertalent Joseph McNulty aus Sligo an der Geige: Ein junger Vollblut-Musiker, der tief eingetaucht ist in die alte irische Kultur und Sprache, die er fließend spricht.Sein kraftvolles Spiel brachte ihm bereits unzählige Meisterschaftstitel ein.Sängerin Anne Brennan sog die Klänge ihrer musikbegeisterten Heimat Connemara von Kind an auf. Paul Brady, Declan O?Rourke oder Johnny McEvoy, die Liste der Künstler die Anne als Sängerin auf die Bühne holten ist mittlerweile lang und hochkarätig. Mit Sharon Shannon war sie auf der CD ?Live at Dolans? 11 Wochen Nummer 1 in Irland und landesweit auf Tour. Mittlerweile wird ihre Musik über TV bis in die USA vertrieben und die großen Kollegen reißen sich darum, mit ihr im Duett zu singen.CONNLA - Modern Folk from Northern IrelandVor einigen Jahren waren sie eine überraschende Entdeckung des Irish Spring Festivals. Nun kehren sie als gefeierte Stars des zeitgenössischen Irish/Celtic Folk zurück.Ihr Terminkalender ist atemberaubend, ihre Tourneen führen nicht nur durch Länder sonder über Kontinente. CONNLA aus Armagh und Derry in Nordirland gelten als eine der aufregendsten neuen Bands im Irish Folk Crossover.Sie sind kreative und mutige Abenteurer auf dem Weg in die Zukunft des Irish Folk, den sie auf ihrem eigenen Weg durch die Musikstile der Welt nie aus den Augen verlieren. Die Arrangements alter und neuer Titel sowie ihre frischen Eigenkompositionen sind gleichzeitig voll junger Energie und klingen doch nach langer Erfahrung. Schon die Besetzung ist anspruchsvoll:Die fragile Keltische Harfe von Emer Mallon paart sich elegant mit dem wuchtigen Sound des irischen Dudelsacks ihres Bruders Conor.Die akustische Gitarre von Paul Starrett überwindet die enge Akkordbegleitung mit komplexen innovativen Strukturen, auf denen sich Ciaran Carlins Flöten schwirrend und frühlingshaft leicht entfalten.Und sozusagen als Sahnehäubchen ziert Sängerin Ciara McCafferty mit ihrem leicht rockig-intensiven Timbre den Sound von Connla.

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Stand: 29.11.2020
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The Beat Generation and Counterculture
80,40 € *
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The Beat Generation and Counterculture ab 80.4 € als gebundene Ausgabe: Paul Bowles William S. Burroughs Jack Kerouac. Aus dem Bereich: Bücher, Wissenschaft, Sprachwissenschaft,

Anbieter: hugendubel
Stand: 29.11.2020
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MTV - 100 greatest Pop songs
35,95 € *
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All the small things / Blink 182|BABY ONE MORE TIME / Spears Britney|Beat it / Jackson Michael|Bennie and the Jets / John Elton|Billie Jean / Jackson Michael|Bohemian rhapsody / Queen|THE BOY IS MINE|Brass in pocket|Brown eyed girl / Morrison Van|BYE BYE BYE|Careless whisper / Michael George|CHANGES / Bowie David|Creep|Dancing queen / Abba|DO YOU REALLY WANT TO HURT ME|Sittin' on the dock of the bay / Redding Otis|Don't speak|DON'T YOU WANT ME|Every breath you take / Police|FAITH / Michael George|Free fallin' / Petty Tom|Go your own way / Fleetwood Mac|GONE TILL NOVEMBER|GOOD TIMES|Good vibrations|HOT FUN IN THE SUMMERTIME|Hotel California / Eagles|I NEED LOVE|I WANNA BE SEDATED|I want it that way / Backstreet Boys|I want to hold your hand / Beatles|I want to know what love is / Foreigner|I WANT YOU BACK|I will always love you / Houston Whitney|I will survive / Gaynor Gloria|Imagine / Lennon John|IN MY LIFE|Iris|JUMP / Van Halen|JUST A FRIEND|Just can't get enough|JUST MY IMAGINATION / Temptations|Just the way you are|JUST WHAT I NEEDED / Cars|LET'S STAY TOGETHER / Green Al|Like a Rolling Stone|Like a virgin / Madonna|LONGVIEW / Green Day|Losing my religion / REM|Love shack / The B 52's|MAYBE I'M AMAZED / McCartney Paul|MISS YOU|Mmm bop / Hanson|My Generation / Who|MY NAME IS|NASTY|No diggity|O P P|Oh pretty woman / Orbison Roy|ONE / U 2|ONE HEADLIGHT|The one I love|ONLY HAPPY WHEN IT RAINS / Garbage|OUR LIPS ARE SEALED|Papa don't preach / Madonna|Photograph / Def Leppard|Proud Mary / CCR (Creedence Clearwater Revival)|RESPECT|Rock with you|She drives me crazy / Fine Young Cannibals|Smells like teen spirit / Nirvana|Smooth / Santana|Stayin' alive / Bee Gees|SUPERSTITION|SURRENDER|Sweet child o'mine / Guns N Roses|Tainted love / Soft Cell|TANGLED UP IN BLUE / Dylan Bob|Tears in heaven / Clapton Eric|Time after time|Tiny dancer / John Elton|The tracks of my tears|Under the bridge|VOGUE|Waterfalls / TLC|What's going on / Gaye Marvin|WHERE DID OUR LOVE GO|Wonderwall / Oasis|Yesterday / Beatles|You are the sunshine of my life / Wonder Stevie|YOU OUGHTA KNOW|YOU SHOOK ME ALL NIGHT LONG / AC DC|Your song / John Elton

Anbieter: Notenbuch
Stand: 29.11.2020
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